Lambert Enjoying The Spotlight

Miranda Lambert seems to be the youngest “veteran” in any genre of music.   Lambert cut her teeth with one of the first reality TV talent contests – “Nashville Star.”    She came in third behind a forgettable singer named Buddy Jewell, but there were a lot of fans and others that couldn’t forget Miranda.  That was 2003.  Flash forward to now and in the last year she has become one of the most celebrated women in country music.

Billboard Magazing recently called her “the coolest girl in country music,” and her press is better than ever.

Her new Album “Four The Record” is a blend of mainstram country meets Miranda alt-pop.  In fact a few tunes in the disc could work on pop radio despite her proud twang.  Her record label will have to get things pulled together (she’s bounced from Sony-owned to now defunct Epic and then Columbia Records).  She has just landed on the legendary RCA Nashville.

There’s a lot for country radio and fans to like here too.    Lambert has found her groove and her confidence is heard in songs like the lead single “Baggage Claim.”   (Did you realize those Hammond organ rund are performed by Steve Windwood?!- I didn’t either.)   New sounds for country music – but she pulls it off swiftly.  Er…  maybe Lambert-ly.

Fans who have been following Miranda will get into her new level of sass and some very modern production values.  The ensuing media blitz and round of awards will surely bring in some new followers too.

Despite 2009′s stellar performance of “Revolution” Taylor Swift may have had the most face time of the last few years but there’s a new 20-something blonde that’s ready to take the spotlight among the other hot country acts like Zac Brown and Lady A.  Four The Record is a Hit.

Overall Grade:  A

Don’t miss: The retro-yet-modern “Easy Living” and the edgy “Fine Tune” (time to try a pop crossover?)

By Joe Hansen

The likes of Loretta Lynn, Tammy Wynette, and Dolly Parton evoke images of traditionally-clad country singers decked in western-style frocks and ensembles. These are all great artists in their own and rights and have held supremacy in more ways than one. However, at present, new artists have continued to reshape and slowly change our perceptions regarding women in country music. Today, country love songs are not just about heartaches and broken relationships anymore.

In the 1990′s, artists such as Faith Hill, Shania Twain, and Lee Ann Womack first opened the doors with their brand of country music doused with sex appeal and tremendous commercial and crossover potential. Today, artists such as Miranda Lambert, Hillary Scott of Lady Antebellum, and Jennifer Nettles of Sugarland continue in this tradition, giving audiences a different and, dare we say, bolder image of modern day country singers. Let’s take a look at their career highlights.

Miranda Lambert

Twenty-six year old Miranda Leigh Lambert first broke into the scene through her participation in the 2003 season of Nashville Star, a reality TV program aired over at NBC. Her third place finish did not prevent her from eventually achieving superstardom. She later signed with Epic Records, through which she released her debut album, “Kerosene.” All four singles from the album- “Bring Me Down,” “Kerosene,” “Me and Charlie Talking,” and “New Strings”-were certified Top 40 hits. In 2007, she transferred to Columbia Records Nashville and recorded her sophomore album, “Crazy Ex-Girlfriend,” which produced her first Top 10 hit (“Gunpowder & Lead”). All of her three albums debuted at the No. 1 Spot on the Billboard Country Music Album Charts. She has been nominated for Grammys, CMAs and ACM awards in which she won a Top New Female Vocalist award in 2007.

Hillary Scott

Scott is, of course, one-third of the fast rising group Lady Antebellum (known for their harmony-driven country love songs), which recently grabbed the Award for Best Country Performance By A Duo Or Group for “I Run To You” at the recent Grammy Awards, successfully establishing their hold of the category over veterans such as Rascal Flatts and Brooks & Dunn. After graduating from high school, Scott, a country singer by heart, worked with singer-songwriter Victoria Shaw, through which she met her future band mates. Scott, a native of Nashville, TN, is not just a pretty face with a big voice, she is also an award-winning songwriter recognized for her contributions to “Love Don’t Live Here” and “Lookin’ for a Good Time,” two of Lady Antebellum’s hit songs.

Jennifer Nettles

The sexy, on-stage presence of Nettles helped propel Sugarland as one of the fast-rising musical acts of today. Together with Kristian Bush, Nettles successfully translated their electrifying stage performance into hit singles and multi-platinum record sales. Prior to joining Sugarland, Nettles had already been an established singer working the Atlanta, Georgia music circuit through her previous bands, Soul Miner’s Daughter and the Jennifer Nettles Band. Like Scott, Nettles is also an established singer and songwriter, co-writing songs with Cory Jones for two Soul Miner’s Daughter albums, “The Sacred and Profane” (1996) and “Hallelujah” (1998).

Joe Hansen is a music expert, specialized in country songs reviews.

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Lambert Enjoying The Spotlight